Blackmagic Cinema Digicam 6K full body digital camera take a look at footage accessible to obtain
Blackmagic Design has digital camera take a look at footage shot by John Brawley ACS on the brand new Blackmagic Cinema Digicam 6K full body digital camera on the 4 Aces Film Ranch accessible to obtain.
The Blackmagic RAW and colour managed clips straight out of DaVinci Resolve can be found for obtain right here.
Palmdale Diner
Cinematographer: John Brawley ACS
“I had a lot enjoyable taking pictures with this digital camera, as a result of it actually opened up doorways for me by way of lenses. It was nice to have the ability to use a lot of lenses that I in all probability wouldn’t have considered utilizing, or they might have been too onerous to make use of on a job. Having an L mount digital camera truly provides me extra selections as a cinematographer, as a result of I can now get pleasure from experimenting with all of those completely different lens potentialities. The Blackmagic Cinema Digicam 6K can be a multi format digital camera having the ability to shoot 3:2 6048 x 4032 in 6K, 6:5 Anamorphic 4838 x 4032 and common Tremendous 35 4:3 4096 x 3072. If you’re going for a sure look, then having that bigger picture circle of 43.18mm implies that it really works with so many lenses which are out there.”
Lodge Room in Open Gate 6K
“This setup was intentionally designed as a torture take a look at for this digital camera to see precisely what this new sensor might deal with by way of dynamic vary. It doesn’t get any tougher than making an attempt to stability the sunshine from outdoors with inside, particularly given we had been taking pictures simply after noon.”
Digicam: Blackmagic Cinema Digicam 6K
Codec: Blackmagic RAW in Fixed Bitrate 3:1
Sensor: 6K Open Gate 3:2 full body 6048 x 4032
Lens: Atlas Mercury Anamorphic 54mm 1.5X @ T4
Body Charge: 36 fps
ISO: 400
Shutter: 180 levels
White Level: 5600K 10% tint
Coloration Science: Era 5 Coloration Science
LUT: Blackmagic Gen 5 Movie to Prolonged Video
Adapter: PL to L mount
Shot on: tripod and dolly
Obtain Digicam Unique File (5.3 GB)
Obtain Graded File (0.31 GB)
Kicking Up the Mud in 4K DCI
“With this take a look at shot, I actually needed to discover the upper body charges in each 4K DCI and 1920 x 1080. Gradual movement like this both works or it doesn’t, so it’s a nice take a look at for this digital camera. Even at 1080 HD at 120fps it actually held up nicely. This model was shot at 4K DCI 4096 x 2160 at 60fps which I assume is a nice quantity to hit and it actually appears good!”
Digicam] Blackmagic Cinema Digicam 6K
Codec: Blackmagic RAW in Fixed Bitrate 3:1
Sensor: 4K DCI 4:3 4096 x 2160
Lens: Zeiss Supreme Cine Prime 40mm @ T 2.8
Body Charge: 60 fps
ISO: 400
Shutter: 180 levels
White Level: 5600K 10% tint
Coloration Science: Era 5 Coloration Science
LUT: Blackmagic Gen 5 Movie to Prolonged Video
Adapter: PL to L mount
Shot on: tripod
Obtain Digicam Unique File (3.1 GB)
Obtain Graded File (0.48 GB)
Lady at Diner in Open Gate 6K
“The factor I favored about this scene is the nice mixture of colour. You’ve acquired the colour tubes within the background and all of these highlights coming via the home windows. Her pores and skin tones are sitting within the decrease a part of the publicity vary and but they’re very full and wealthy. It’s a very thick trying picture with loads of vary to work with.”
Digicam: Blackmagic Cinema Digicam 6K
Codec: Blackmagic RAW in Fixed Bitrate 3:1
Sensor: 6K Open Gate 3:2 full body 6048 x 4032
Lens: Atlas Mercury Anamorphic 54mm 1.5X @ T4
Body Charge: 36 fps
ISO: 400
Shutter: 180 levels
White Level: 5600K 10% tint
Coloration Science: Era 5 Coloration Science
LUT: Blackmagic Gen 5 Movie to Prolonged Video
Adapter: PL to L mount
Obtain Digicam Unique File (3.8 GB)
Obtain Graded File (0.23 GB)
Diner at Night time in Open Gate 6K
“With this shot I used the Zeiss Supreme bare with no filtering by any means. If you end up making an attempt to shoot in low mild, it’s not merely a matter of taking pictures vast open. What you actually need is excessive distinction between the darkness and the lights which are on within the body. In this case I was making an attempt to show between the purple neons and never having them clip whereas nonetheless getting sufficient element within the shadows.
Digicam: Blackmagic Cinema Digicam 6K
Codec: Blackmagic RAW in Fixed Bitrate 3:1
Sensor: 6K Open Gate 3:2 full body 6048 x 4032
Lens: Zeiss Supreme Cine Prime 21mm @ T 2.8
Body Charge: 24 fps
ISO: 3200
Shutter: 180 levels
White Level: 3200K 0% tint
Coloration Science: Era 5 Coloration Science
LUT: Blackmagic Gen 5 Movie to Prolonged Video
Adapter: PL to L mount
Obtain Digicam Unique File (9.3 GB)
Obtain Graded File (0.44 GB)
On the Cellphone in Open Gate 6K
“This shot was truly fairly late at night time. And so I had Jessica Clark-Nash with me, who truly lit this scene forward of me whereas I was nonetheless working inside. I assume it’s a very nice business and clear trying picture with a conventional distinction ratio lit for drama to provide it that impactful look.”
Digicam: Blackmagic Cinema Digicam 6K
Codec: Blackmagic RAW in Fixed Bitrate 3:1
Sensor: 6K Open Gate 3:2 full body 6048 x 4032
Lens: Zeiss Supreme Cine Prime 65mm @ T 2.8
Body Charge: 24 fps
ISO: 400
Shutter: 180 levels
White Level: 5600K 10% tint
Coloration Science: Era 5 Coloration Science
LUT: Blackmagic Gen 5 Movie to Prolonged Video
Adapter: PL to L mount
Obtain Digicam Unique File (10.4 GB)
Obtain Graded File (0.74 GB)
On the Bar in Open Gate 6K
“For this explicit scene we determined to combine it up and take a look at a native L mount Sigma Artwork 28mm picture prime in open gate at ISO 400. It could be very spectacular with this sensor. The variations between Sigmas cine primes and these picture lenses usually are not a lot visible, however extra to do with pulling focus.
Digicam: Blackmagic Cinema Digicam 6K
Codec: Blackmagic RAW in Fixed Bitrate 3:1
Sensor: 6K Open Gate 3:2 full body 6048 x 4032
Lens: Sigma DG HSM Artwork 28mm @ f2.8
Body Charge: 24 fps
ISO: 400
Shutter: 180 levels
White Level: 3200K 0% tint
Coloration Science: Era 5 Coloration Science
LUT: Blackmagic Gen 5 Movie to Prolonged Video
Digicam Mount: L mount
Obtain Digicam Unique File (8.8 GB)
Obtain Graded File (0.57 GB)
