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5 Frames with a Leica M3 & Ilford HP5 pushed to 3200

I’ve been eager to work on my low-light movie taking pictures abilities for awhile. I’d already tried taking pictures some Ilford HP5 pushed to 1600 at our household Thanksgiving celebration, and at a marriage (see: my earlier publish, Touring. Mild) with blended outcomes.

The primary try was made utilizing my Nikon FE, counting on its usually terrific metering. Skilled shooters will instantly acknowledge the place this all went incorrect for me. What I realized was in an in any other case darkish scene, and seemingly whatever the location inside the scene, any vibrant supply of sunshine would trigger the picture to be considerably underexposed in “A” mode. That is a type of issues one realizes after reviewing the scans, whereas concurrently exclaiming, “Duh?” out loud. Or, perhaps that’s simply me. Additional complicating issues, the low gentle situation makes it so I couldn’t see the needles on the sometimes intuitive meter contained in the viewfinder on the FE to shoot manually.

Not too long ago, my spouse and I had been headed to dinner with mates, so I assumed it might be a wonderful alternative to experiment with Ilford HP5 pushed to 3200. This time, I introduced my Leica M3 with a Summicron-M 50mm f/2 connected. (Saying it like this makes it seems that I’ve an enormous number of Leica glass, when in actual fact that is the lens I’ve for it) I assumed this is perhaps a greater setup for low gentle taking pictures for a couple of causes. First, at 3200, I might be capable of shoot some round f/4, and at shutter speeds between 1/30 and 1/60, that means the chances of nailing focus could be higher. That is very true when it was so difficult to detect sharpness by the viewfinder. Second, nearly as good because the outdated F-mount Nikkor lenses are, I’ve discovered to my untrained and neophyte eyes, my Summicron has a a lot gentler fall-off broad open, making pictures I assumed for positive could be comfortable centered look sharper than I assumed doable. And, lastly, I’ve a KEKS KM02 gentle meter I maintain within the M3’s chilly shoe. I don’t imagine it measures gentle any higher than the Nikon’s inside meter does. Nonetheless, the show is a vibrant LED making it simple to learn in dim gentle.

What I realized from this expertise was issues like candles, white sweaters, and vibrant reflections wherever within the scene actually journey up the meter. With out a spot meter in-hand, it’s simple to be fooled by what the meter suggests. I feel primarily based on this expertise, I’ll make a aware be aware to determine these things in a shot, and alter the publicity by at the very least one or two full stops. Any suggestions from the extra skilled low-light shooters is welcomed within the feedback.

Lastly, as I exploit a lab for all my creating, I can’t communicate to the way it was processed. I used Darkroom Lab right here in Southern California, merely indicating “+3” on the canister. I feel they did an excellent job. However, maybe processing my very own black and white movie is in my future.

Cheers! Leica M3, Summicron-M 50mm f/2, Ilford HP5 +3
Cheers! Leica M3, Summicron-M 50mm f/2, Ilford HP5 +3

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Critical dialog. Leica M3, Summicron-M 50mm f/2, Ilford HP5 +3

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Leica M3, Summicron-M 50mm f/2, Ilford HP5 +3

 

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Mimi. Leica M3, Summicron-M 50mm f/2, Ilford HP5 +3

Leica M3, Summicron-M 50mm f/2, Ilford HP5+3
Leica M3, Summicron-M 50mm f/2, Ilford HP5+3

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